Ragan Speechwriters Conference: Day 1 – Angela Sinickas

Angela Sinickas: A practical guide to measuring the effectiveness of executive communication

Angela Sinickas

Twenty early birds took advantage of this pre-conference session presented by Angela Sinickas. She’s president of her own communication consultancy and the author of How to Measure your communications programs and a regular columnist for Strategic Communication Management Magazine. She’s a pioneer in the field of organizational communication measurement and has been measuring the effectiveness of communications since 1981.

This was a great session for corporate speechwriters, communications managers and internal communications staff who have faced skeptical managers with one eye on their function as a potential ‘cost center’ which practices the squishy art of wordsmithing and does little to contribute to the bottom line.

It’s all very well to say speechwriting is an art and the measure of good speechwriting is a satisfied client. But what do you say when your executives tire of the road—talking to yet another group on yet another topic—and ask if it’s really worth their time … or worth spending all that money on speechwriters?

Angela promised to outline simple research techniques that can give ammunition for anyone who needs to show executives the business value of staying in front of all those key stakeholders. The class brochure made some pretty impressive claims, including:

  • How to use a quantitative evaluation form to decide which outside speaking opportunities would be the most productive for your speaker—before you send the executives out
  • Identify the topics your audiences want to hear about from senior executives—and which subjects are better handled by other subject matter experts in your company
  • Focus on the messages that are most likely to make an executive’s speech lead to desired business outcomes
  • Measure the impact of speaking engagements on audience knowledge, attitudes and behavior, including some techniques that cost nothing and take very little time
  • Objectively assess which executive spokespersons are the most effective in talking with the media
  • Find the right balance between written and oral communications from executives using research
  • Quantify to what extent the face-to-face communication “cascadeâ€? actually works in flowing information from executives to line employees within an organization
  • A quick poll at the start of the class showed that we wanted answers to a variety of familiar questions including how to meet requests for ROI measurement; how to filter a multiplicity of speaking requests; how to prove worth and value of exec comms; how to make what we do seem more valuable; quantify performance; gather the right metrics; measure the impact of new media and more.

    Planning and Measurement

    Angela began by advising us what NOT to measure:

  • Merely counting the number of speeches. This is a laundry list which does not reveal what happened at the events
  • Just checking on increases in awareness on a topic without a baseline
  • Unrelated cause/effect pairings (such as speeches and sales)
  • Better to measure:

  • Things that connect to an organizational goal
  • Aspects of the event which connect to the goal – it may just be to increase awareness, that’s OK
  • Attitudes that the communication affected
  • The effectiveness of different channels of communication to reach the goal
  • When measuring communications objectives move down this list for better results:

    1. Activities: Just measuring the number of speeches
    2. Attitudes & audience perceptions
    3. Behavior changes – actions taken
    4. Financial impact on organization goals

    Just by asking these behavior change questions can help you clarify the value of a speech; should the executive even do it? These questions will highlight if there’s a call to action included anywhere in the speech outline.

    Follow a linear path of reasoning to step up your appeal to the left-brained engineers and scientists we often support. It helps them see how the holistically right-brained speechwriter arrived at the messages we script for them:

    1. Identify stakeholder groups
    2. Identify their “stakeâ€?
    &#160 a. Why are they a stakeholder?
    &#160 b. What group are they part of?
    3. Identify their current behavior and ideal behavior to reach goal
    &#160 a. Are they customers already?
    &#160 b. Are they customers of the competition?
    &#160 c. Have they ever been customers?
    4. What knowledge affects their current behavior, where do they get this knowledge?
    &#160 a. What messages and basic facts affect current knowledge? What do their heads need to know?
    &#160 b. What current channels deliver facts in best way?
    5. What attitudes affect current behavior and where are these attitudes reinforced?
    &#160 a. What attitudes affect messages? Above and beyond ‘facts’ what do their hearts tell them?
    &#160 b. What channels affect attitudes: compelling face-to-face interaction, perhaps emotive video?
    6. What knowledge and attitudes affect ideal behavior, which sources are preferred?
    &#160 a. Same as for 4a/b and 5a/b for Ideal future
    &#160 b. What would it take for you to change this behavior?
    7. What research will help answer these questions?
    &#160 a. This does not have to be formal research.

    Angela then had use divide into small groups and experiment with the technique. The feedback given afterwards was:

  • This is easier to do as a group, other communications people gave it perspective. It would be useful as a team exercise in a large corporation or in an ad-hoc professional organization like the Washington Speechwriters Roundtable.
  • There will be many stakeholders, each with their own issues – survey as many as possible – this involves an increased investment of time.
  • A major event may require a full-blown process. Small shifts can be helped with parts of the process. It’s worth asking some questions to help the speechwriter get the right key messages included, rather than what the executive wants to say.
  • Research is only as effective as the speaker’s willingness to receive it. Are they willing to have someone tell them they have spinach between their teeth?
  • Post-event surveys can gauge how an audience’s knowledge, attitudes and behavior has changed.

    Measurement can be made along the axis of:

    1. Satisfaction – “Do you like me?â€?
    2. Efficiency – time and budget, in context
    3. Effectiveness – do messages achieve objectives?
    4. Outcomes – change in objective reality, not just opinions.

    And across:

    1. The activities of the communications event
    2. Audience Perceptions
    3. Changes in audience behavior
    4. Financial impact

    Tools to use

    A simple trick is to turn on the Flesch-Kincaid Grade Level test for readability in Microsoft Word under [Spelling and Grammar] [Options] [Show readability statistics] and make sure you are writing at a grade level sufficiently clear enough for members of your audience to understand. (This blog entry scores a 51, right around where Time Magazine sits.)

    Speechwriters can also measure number of times concepts like ‘Brand’ are used in an annual count of speeches or articles. Simply do a word count for key brand attributes, examine the totals in a given period of time as a percent of total communciations for that period.

    Interviews and focus groups can help ID messages that people want to hear. Quantify on a scale of 1-5.

    Conduct baseline surveys before a speech – allow respondents to see what others think.

    Knowledge quizzes should always include a ‘Don’t know’ response.
    Take pressure off them feeling dumb in the way you phrase questions.
    Do this at the event or online via web. Online surveys can let them click after they respond to see others’ results.

    Use the well-respected Starch test from the field of advertising to measure the effectiveness of different forms of communication:

    Soon after speech ask if they:

  • Snoozed
  • Remembered
  • Listened
  • to different segments of the presentation.

    Measuring different channels

    Measure pure volume – how many speeches are given at different times of year, measure percentages each quarter. Ask: Are these at best time for our industry and business?

    Measure content pf speech against things like revenue. This is more sophisticated than just measuring content in terms of brand attributes.

    Measure preferred and ideal sources of information.

    Outcomes

    Use demographic questions to see which variety of executive communications the audience has been exposed to. Then look at levels of favorable results and compare and contrast those who’ve been exposed to specific communications.

    Measure percentage differences of those exposed to different forms of communications.

    It’s that time again: I’m going to the Ragan Speechwriters Conference

    2007 Speechwriters Conference

    Washington DC

    Another year older, another year wiser.

    I leave Tuesday for Washington DC and the 2007 Ragan Speechwriters Conference.

    As I did last year, I plan to blog my impressions of the event. In 2006 I did one long entry for each day of the conference. This year I’ll do a separate posting for each presentation – the better to link back to them later.

    Snakes alive! I’m fifty-five!

    Since my birthday posting last year revealed that I was born on this day in 1952, simple math reveals that today I’m as old as the speed limit for trucks with trailers on American highways:

    55mph

    I kinda like the sound of the double-nickel age. It has the resonance of rhyming slang used by British bingo callers:

    11: Legs eleven; chicken legs.

    22: Two little ducks.

    33: All the feathers; two little fleas; ‘all the trees, Sherwood Forest, 33’.

    44: Droopy drawers.

    55: Snakes alive.

    66: Clickety-click.

    77: Sunset strip.

    88: Two fat ladies.

    On Tuesday I’ll be able to reap the benefit of having reached this grand old age, and claim my 10% discount for “seniors” at Ross Dress for Less when I buy my next pair of those light blue boxers I wrote about last year. I can’t stand the excitement!

    The Wizard of Ads: An Inspiration to begin a journey

    I’ve found inspiration as a speechwriter in the writings of Roy H. Williams. “The Wizard of Adsâ€? brilliantly analyses the impact of advertisements and other forms of communication. His wide-ranging ideas are sourced from fields as varied as neuroscience and historical analysis; mountaineering, religion and art. His three books in the Wizard series are a must-read for anyone interested in the impact of language on audiences, on sharpening their tools of persuasion.

    Wizard of Ads

    HINT: When reading, mentally find and replace all occurrences of ‘advertising’ and ‘ads’ with ‘speechwriting’ and ‘speeches’. Example:

    Speechwriters typically assume that people are seeing and hearing their speeches. Yet rarely is this the truth. In reality, the content of a speech that gushes toward the mind is like a fire hose aimed at a teacup: there’s simply too much coming at us to contain. Most of the information aimed at the brain is deflected, spilled, lost. At the end of the day precious little information is retained.

    Will your speech be part of that precious little, or is it being deflected, spilled, lost?

    The Journal of Cognitive Neuroscience is a publication read primarily by doctors and medical students who want to understand how human beings recognize and identify objects; use visual mental images; read, produce, and comprehend language; move and store new information in memory; and many other such things. (I think it makes sense for speechwriters to read this stuff, too.)

    Modified from Secret Formulas of the Wizard of Ads, p48

    Williams does not shy away from deep science to explain business behavior. He’s inspired me to embark on a series of blog entries I’ll categorize as the “Deep End” of speechwriting and public speaking. I plan to undertake an extended journey into academic theories (Sociology; Rhetoric; Criticism; Semiotics) and see what I can find that is of practical use in my day-to-day work as a speechwriter.

    I’ll still comment on the “Shallow End” of executive communications and write on the lighter side of life. All work and no play makes Ian a dull boy.

    Jane Genova on the value of blogging

    Interesting post from Jane on the value of blogging in establishing a personal brand for old-media types wanting to break into the new world of social media:

    Start a blog with Typepad.com. It only costs five bucks monthly and, again, gets you into new space. Progress on the learning curve takes about three months but, not to worry, you have a survival job or two, right. Having a blog is the new cost of entry. And while you’re blogging your heart out, learn about bells and whistles such as video feeds and digital photos. Will this be exhausting? Yes, the new economy hath murdered sleep.

    Some might find that the advice to journalists and speechwriters also applies to old-school public speakers and seminar leaders who limit their activity to face-to-face presentations to live audiences and don’t leverage their content with blogs, video feeds, DVD’s, CD’s and other ways to broker knowledge in a digital world.

    Guest Posting: A Speechwriter’s Take on the State of the Union Speech

    I was given permission by Clinton White House speechwriter Vinca LaFleur to post her article on President Bush’s State of the Union Speech. LaFleur was special assistant and foreign policy speechwriter for President Bill Clinton and wrote scores of speeches for the president and his national security advisors. It’s an honor to have her as a guest on my blog.

    Her comments form an interesting contrast with those of Communications expert Bert Decker, who takes a far more positive view of Bush’s speech, which he evaluates in terms of body language, mannerisms and behavior as well as content.

    It’s not surprising that people can disagree over the impact of a political speech. Pollsters report that there was an even split in the country, half the people liked the speech, half didn’t. Speechwriters and communications coaches are people too.

    Here’s Ms. LaFleur’s view:

    A Speechwriter’s Take on the Speech
    By Vinca LaFleur

    Vinca LaFleur

    As someone who has labored to meet tough deadlines and satisfy tough audiences myself, I sympathize with the task the White House speechwriters faced with this year’s State of the Union. Drafting this annual address to Congress is rarely an enjoyable exercise; my former Clinton administration colleague Michael Waldman once described it as boiling down “gallons of advice into a few tablespoons of intense sauce,â€? while former Bush speechwriter Michael Gerson reportedly dubbed the process the “seven-day death march.â€?

    This year, however, the White House speechwriting team faced an exceptionally difficult task.

    With President Bush’s approval rating at an all-time low, an emboldened Democratic majority in Congress, and the inescapable backdrop of carnage in Iraq, many critics had concluded the speech would flop well before the president stepped to the podium.

    The White House had tried to generate interest by promising a new and improved address – one that would focus on a few broad themes, not a lengthy list of initiatives. Yet, given President Bush’s lack of trust among Democrats and shrinking confidence and support among Republicans, he never had the political capital to propose a far-reaching agenda. Indeed, as spokesman Tony Snow admitted, part of the impulse behind the new formula was that the White House “want[ed] people to watchâ€? – suggesting they feared the electorate was already turned off and tuning out.

    The president’s pens were thus multiply challenged in making their boss look good. It wasn’t within their power to turn small steps on domestic policy into giant leaps for mankind; nor could they reorient the president’s wildly unpopular position on Iraq. But they were the ones who would find the words with which the policies were presented, the ones who would articulate the arguments and bring the benefits of action to life.

    Unfortunately, words failed them.

    First, the president’s speech lacked a narrative structure to draw listeners in and along. The first part of the address half-heartedly employed the promise of a “future of hope and opportunityâ€? to stitch its key points together, but that framework was jettisoned as soon as the president made the pivot to foreign policy. This was an odd decision, since winning what Bush calls a “decisive ideological struggleâ€? presumably is essential to our nation’s hopeful future as well. By abandoning the phrase, however hackneyed it might have been, the speech’s authors undermined whatever impact it might have had – and lost a chance to connect the end of the address to the beginning.

    In contrast, Senator Jim Webb, in the Democratic response, made clear at the outset that he intended to explain the differences between the parties on two key issues – the economy and Iraq – and his speech proceeded to do just that, up to and including its dramatic conclusion.

    Second, the drafters missed opportunities to humanize the speech. People connect with people, not policies, yet even on issues like education and health care that lend themselves to real-life success stories, the president spoke primarily in dry terms and generalities. When compared to Senator Webb, who so effectively wove his family’s story of service and sacrifice into his remarks, President Bush’s address had a compulsory feel, as if it was an exercise he had to get through instead of a set of exciting ideas he cared about getting across.

    Finally, though the White House wisely resisted excess rhetorical flourish, the final text was more flat than fireside chat, bereft of compelling images or descriptions. President Bush’s supporters have praised his preference for plainspoken language, but excising anecdotes, allusions, and poetry from a speech does not automatically make it forceful; to the contrary, as Mark Oppenheimer recently argued in the Wall Street Journal, “The best speeches…depend for their power on the ability to strike chords that already exist within us.â€?

    Once again, the contrast with Senator Webb’s performance was stark. Despite the Senator’s inherent disadvantage of speaking before a television camera instead of a live audience, he was able to convey more personal intensity and engage more directly with his listeners by using language that was straightforward but not simplistic, and drawing effectively on history, quotations, and rhetorical devices to drive his arguments home.

    Thus, for the first time in history, the response to the State of the Union was far superior to the speech itself. But in fairness to President Bush’s speechwriting team, the substance and style of his national address were undoubtedly set from the top. The speechwriters wouldn’t have gotten the credit if the president’s speech had been a smash, and they are not the ones who should be blamed for its shortcomings. A successful State of the Union address is always more than words.

    Great speeches, as any speechwriter knows, depend on great ideas. That is why, despite the gracious nod to Speaker Pelosi at the start, and the uplifting stories of American heroism at the end, this State of the Union fell short on eloquence and failed to inspire enthusiasm.

    Vinca LaFleur was Director for Speechwriting and Special Assistant to President Clinton. She now runs Vinca LaFleur Communications, an executive speechwriting firm in Washington, D.C.

    Davos: Dialog in the Dark

    Davos at Night In one of the kookier news stories to come out of the mountain-top retreat at Davos this week, a German DJ proposes to subject executives to sensory deprivation in a totally dark room for an experiment in communications called Dialog in the Dark.

    Participants will enter a totally dark room where they will only be able to communicate by sounds. All visual stimulation will cease. The man behind this experiment, Andreas Heinecke, notes that

    The environment is nothing special for the blind people who are there to help them, but it’s a real shock for executives who rely on their egos and physical presence. . . They will have to listen closely, something most powerful men find difficult to do.

    In what will obviously be a PowerPoint free zone one can only hope executives will experience what audience members at tedious keynotes have long enjoyed: a few moments without unnecessary visual stimuli. It’s known as a nap.

    A Cingular Moment

    First, a disclaimer. Cingular is a wonderfully reliable cell phone provider. Our 4-line family plan is a bargain and I have absolutely no complaints about the service. That said, pity the poor CEO of Cingular, Stan Sigman, who discovered to his cost at the recent MacWorld in San Francisco that Steve Jobs is a hard act to follow.

    Within a day of the Jobs keynote, communications blogs exploded with an analysis of the failure of the Cingular CEO to come up to the mark during his time on the podium.

    First, blogger Seth Godin posted a scathing report which called attention to the speaker’s failings in both style and content (or soul and substance):

    Stan sure could use some help. He’s dressed all wrong. Not buttoned down enough to be a CEO, not casual enough for the Valley. And his jacket fits funny. Sort of like he’s at his son-in-law’s second wedding.

    Stan gives his talk from 3 x5 index cards, which he holds awkwardly on stage. And he doesn’t really say anything.

    This was picked up by the Dale Carnegie Training Center blog which posted the YouTube video and let us see for ourselves what Sigman does that stands in stark contrast to Jobs:

    Sigman enters 4:30 into the clip above.

    The Dale Carnegie folks place the blame at the feet of the communications team at Cingular who advised their CEO (the Executive Communications team that is, not the guys who give us dial-tone):

    Who advised Stan? Here is where they should have been:

  • Use a teleprompter or earpiece.
  • Practice, practice, practice.
  • Talk to the lawyers again, there must be a better way.
  • Practice
  • Don’t say it at all. Give us your heart and enthusiasm then sit down. Leave the rest for the press release.
  • I hope Stan is surrounding himself with people that can be honest with him. This is another testament on how critical presenting yourself is in business.

    Next, Garr Reynolds picked up the story, and drew a telling contrast between the Cingular CEO and Jobs, Google’s CEO, Dr. Eric Schmidt, and Yahoo co-founder Jerry Yang. A picture gallery shows the contrast:

    Four speakers

    Reynolds suggests it’s the use of the notecards that scuppered the talk. I disagree. In my stint as Scott McNealy’s speechwriter, I created bullet-point notecards for Scott to use onstage. He was relaxed and confident using them. Indeed, he relished using them as a prop in Tonight Show-style “Top 10 List” gags that the audience loved. He’d toss the notecards aside accompanied by goofy sound-effects:

    Scott McNealy

    Some speakers clutch the slide clicker as a security blanket, others grab onto a pen or a pointer as an outlet for nervous tension. Notecards in and of themselves are not the problem, inadequate preparation and coaching in their use is.

    Notice, by the way, that we provided Scott pale blue notecards which show up better on camera. The Cingular team gave their man the bright white ones that cause glare.

    As Reynolds concludes, we can all learn from Stan Sigman’s mistakes:

    My only point in highlighting his short speech was to show what the rest of us must never ever do. Like it or not, our customers, employees, and colleagues judge us in part on our ability to stand and deliver a successful talk. Stan Sigman’s performance was a wonderful textbook example of what not to do. We must find our own voice and our own style, of course, but we must never make the same mistakes made by Mr. Sigman.

    Finally, Bert Decker contrasts Martin Luther King’s “I Have a Dream” speech with the content we’ve discussed above. This is a low blow. We’d all come off the worse for comparison with the great orators. However, Bert is right on when he says it is to the world-class speakers we need to look for inspiration.

    That, and a good speech coach, can make all the difference. And thinking twice before you follow Steve Jobs onstage.

    National Speakers Association, Northern California, January Chapter Meeting

    Nearly 100 NSA members and Guests gathered at the Airport Clarion on a cold January day for this Chapter meeting. Around 40 stayed for the ‘Members Only’ afternoon session. If you were unable to attend, or were not qualified to participate in the afternoon, this blog is a source for some of the substance you missed. The warmness of the soul of the meeting has, alas, flown.

    Dan Burrus, CSP, CPAE: Shaping Your Future Today

    Dan Burres

    Dan Burrus’ speaking career has been nothing short of amazing. Starting as a high-school science teacher he spent two years giving 200+ presentations a year to school assemblies. He underpriced himself to get exposure and experience. He’s now at the top of his game. He has appeared on programs such as Larry King Live, PBS, and CNN Special Reports, and is often quoted in publications like Fortune and Industry Week. The New York Times has referred to him as one of America’s top three business gurus in the highest demand as a speaker. He has delivered over 2,300 keynote speeches worldwide, has authored ten audio cassette albums, several video tape programs, seven books, including his best seller Technotrends which has been translated into over a dozen languages and he publishes a variety of technology publications, including the Technotrends Newsletter.

    A few years ago, he launched several innovative electronic newsletters, and as a side note, the least expensive is $120,000 per year! In addition, Dan is a strategic adviser to CEO’s from some of the largest companies in the world. How did he do it? Dan shared his insights and strategies for growing a speaking business.

    Dan advised us not to pick a hot topic, but pick something we are passionate on and turn it into a hot topic. It’s not the subject that’ll make you a success as a speaker, it’s you and your expertise.

    On his road to the top, Dan self-assigned himself difficult venues: speaking to blind people, deaf people. This prepared him for, among other things, business presentations delivered through interpreters. Assigning stretch goals will cause you to grow.

    When Dan saw NSA’er Nido Quibein speak in the early 80’s and heard him state he made $1M+ from speaking he realized it was not Nido’s skills as a speaker that generated this wealth, but but the way he treated speaking as a business.

    Dan pitches himself one or two notches below his capabilities and then overdelivers. Often speakers pitch topics that are just not salable (“I open people up to their sense of childlike wonder”). This might be the essence of what you deliver, but you should promise something more prosaic, something that solves a need the audience can identify.

    Using lateral thinking can give audiences a unique solution, as when an Insurance Company told Dan they wanted to be in top 10 by revenue in five years time. He suggested ways they can be in top 10 on scales that others may not measure, and achieve these goals far sooner. On another occasion he changed the mission statement for a company from “We’ll be the best media and entertainment company on the planet” to “We’ll be the best media and entertainment company for the planet.” The outside speaker can make simple and effective suggestions like this that over-deliver on expectations. Did they hire you to change the mission statement? No. Was this a suggestion that added value? Yes.

    Speak on eternal truths, that way you don’t have to update your content all the time!

    Writing a regular newsletter (or blog!) can introduce the discipline of putting your thoughts on paper.

    Dan’s made two predictions for the future for the speaking biz:

    [1] As the triple curves of Moore’s Law, Gilder’s Law and the explosion of storage capacity converge into vastly improved technological capabilities look for a growing market of speech nuggets to be delivered over mobile devices. Content will be king. Partner with the providers to charge for your content. Look at pay-per-view for small segments of a speech. Start by loading your content on YouTube. Dan’s not the first to notice this convergence, but he’s the first to challenge speakers to take advantage of the opportunity.

    [2] Check out this new company which provides a solution for streaming live events over the internet. This offers technology that can expand any audience nationally and internationally. Ask who might want to pay $10 for your keynote in real time. Perhaps the next NSA National Conference can use this technology for members not able to make it to San Diego!

    Lenora Billings-Harris, CSP: What’s Your Inclusivity Quotient™? Removing the Barriers that Block Your Messages

    Lenora

    National NSA President, Lenora Billings-Harris, CSP gave a fun, interactive and non-judgmental session to help enhance our inclusivity quotient so our soul and substance can be fully received by everyone in the audience.

    NSA’ers used to ask, “Do I have to use humor”? The answer was, “Only if you want to get paid.” Now the same answer applies to the question, “Do I have to understand my group’s differences?” The answer is the same. Corporations and professional associations are investing millions of dollars each year to make their organizations more inclusive. They assume consultants and speakers already have the same sensitivities they do. Lenora’s session was jam-packed with immediately applicable information and suggestions, including a multi-page handout/reference guide. Her aim was to help us:

    1. Enhance our own multicultural competencies as a speaker.
    2. Identify the training and presentation techniques that help learners feel respected and included.
    3. Explore the most common multicultural barriers in the learning environment.
    4. Explore ways to evaluate our current programs to identify possible oversights, and then utilize techniques and resources to address them.

    Lenora opened with the Zulu invocation Ubuntu Ubuntu Ubuntu/em> which can be translated as I am what I am because we are. Audiences want to know us, not just the information we are there to share. They want soul as well as substance. So Lenora shared: her age, child-free status, husband’s foibles, birthplace and potted history of per life. In doing so she reinforced the professional bio of the formal introduction, by the irrepressible Karen Walker-Tunoa, with personal details that allowed us to connect with her.

    She modeled other best practices such as:

    – Allowing the audiences other ways to respond than raising their hands (people with restrictions on the use of their limbs are not excluded)
    – Engaging the audience by using (with permission) photos of key members in slides.

    As professional speakers we spend time, money and energy learning our craft. We also honor a code of ethics that sets us apart from the merely public speaker.

    Lenora’s statement for valuing diversity and inclusion as a speaker:

    Demonstrating the willingness and ability to recognize, understand, and respect the unique talents and contributions of all individuals, regardless of their packaging.

    Audience participants variously identified key words as respect, contributions, recognize and packaging as key to this statement. Lenora pointed out that the statement built on the word that preceded it.

    Share the Wisdom

    The afternoon session kicked off with Dan Burrus asking the 40 members what issues they are dealing with. The questions raised were:

    [1] What about blogging?

    A great way to put yourself out there. Dan has two blogs. One on his website. The other on Blogger owned by Google which increases your page rank. No rule as to how many times you need to update it. Find what you can do, what’s comfortable for you. Take timeless chunks from past material and post periodically. Ric Giardina uses WordPress so that his blog has become the center of his website. Any changes are reflected via the blog to the rest of his web. If blogging is the center of your activity it makes sense for this to be the center of your website, for others it might not. Blogging can reference the website and visa-versa. It’ll be driven by content – timely materials will elevate your visibility.

    Jerry Gitchel did a teleseminar on blogging and referenced keywords.

    I pitched the nsa_bloggers Yahoo Groups for anyone who needs to know more. Subscribe here if you are a speaker interested in blogging.

    [2] Coaching kids for tests – how to use technology for cell phones with cameras. Should I partner with Apple or the Bill & Melinda Gates Foundation?

    There’s a goldmine in the No Child Left Behind Act – see what funding your solution qualifies for. An Association might be a suitable partner. Example: The Association for Curriculum Directors will publish your book and give it as a member benefit to 110,000 members which the author makes nothing on, but has the rights for money from re-orders.

    [3] How did you build your speaking career? What were lessons in hindsight?

    Focus on relationships. Realize you have no relationship with a Speaker Bureau, you have a relationship with the PEOPLE in a Speaker Bureau. Relationships with people are based on trust. It’s about values.

    [4] What about the handout we were given on strategies and technologies?

    See if these impact your speaking business.

    [5] How do you balance speaking and other sources of income?

    Be true to your long-term goals. It’s not all about the money. Take vacations, even if they cost you big-time in fees. Example: skip the problems. Dan consults with companies but does not do paperwork. He asks companies to have their best guy in the room when he speaks with the CEO to write up a report he’ll approve.
    Since he started as a teacher he loves long vacations and kept the basic teacher principle of summers off.

    [6] What suggestions for getting a career in keynoting launched from a lifetime consulting?

    We can all do keynotes, training and workshops. But they take different skills. A keynote is only a keynote and you’ll only go so far. Get good fast with low fee / no fee start-up plan. Develop your skill by doing it.

    Look for your unique entree. Most executive suites are dysfunctional families so a family counsellor can sell their skills in the business world by finding the link that fits their pain.

    [7] What does the future hold for professional speakers?

    A bright future. There’s nothing to substitute for the presence of people, even the highest end video conferencing. Speakers reach inside a person and touch them to change their behaviors. Dan wants to change the way people think about their future, to use technology for a brighter future. Eyeball to eyeball is the most powerful change technique. Example: Dan is working with Hyatt to enable dinner tables with high-definition screens. This would allow you to have dinner with Mom who might be seated thousand of miles away. But the rapport and trust must be established first. Speaking remotely does not allow you to do this.

    [8] Free teleseminars – how to follow up effectively with anyone who was preregistered?

    (Jill Lublin uses them to sell a course).

    You get the behaviors you reward. What reward are they getting / not getting that affects behavior.

    Closing advice: Make an appointment to sit down for 1 hr a week and think about your future. What do you know? Strategies based on knowledge are less risky than those based on the unknown. Shift out of crisis management into opportunity management.

    After Dan left there was a wide ranging discussion on techniques which better connect the speaker with the audience:

    [1] To connect with an audience of kids – change things quickly, use music, don’t speak down to them. 15-year-olds use 5 technologies every day. Be yourself. No age sees though B.S. more than student age.

    [2] To connect with any audience – stand by door, walk among them as they enter. Get invited to social events before the event. Even stay for the whole conference, hang around. People appreciate it.

    [3] Key people in the audience are willing to give you information and background on audience.

    [4] Newsletters and content emailed to audiences are valuable. Blogs are two-way conversations that extend written communication.

    [5] Try and remember names of small training groups. Memory techniques can assist. This impresses them. Using someones name is a great way to connect. Use cultural sensitivity when dealing with people’s names.

    [6] Be wary of pre-programmed questionnaires. Better: Use telephone interview to ask people relevant questions.

    [7] Look for characteristics of group – things you might have in common with them will help create community. Learning even one or two words of a foreign language will help with overseas audiences.

    [8] Share your process, mistakes, vulnerabilities. Talk about your history. Tales of rejection, failure. Have courage to talk about these things to connect with you.

    [9] Survey the room: Ask people the experience they have on this topic. Their combined experience will exceed yours.

    [10] Be clear on expectations. Make sure the audience knows what you’ve been hired to speak on.

    [11] Connect with people at a human level. Practice Relational Presence.

    Strong Recommendation #2: Children of Men

    Hard on the heels of my DVD experience with Code 46 I made a rare visit to a matinée movie to see the equally stunning Children of Men. Mexican director Alfonso Cuarón does an impressive job of capturing a down-at-heel Britain some twenty years from now.

    Children of Men

    It’s impossible to comment on the movie without using the cliche that this is a dystopian portrait of a future when things have, as they say back home, gone seriously pear-shaped for society. Women have been infertile for two decades, the last baby alive has just died. The hero, Clive Owen, increasingly unshaven as the film progresses, battles the forces of a totalitarian State as he seeks to rescue a solitary pregnant woman from the chaos of the gangs of militia, freedom fighters and forces of Homeland Security (sic) who pursue them.

    One highlight of the film for me was seeing my favorite actor, Michael Cain, as a backwoodsy pot-smokin’ oldster who bore more than a passing resemblance to Roy Harper.

    Michael Cain

    Roy Harper

    See what I mean?

    See images of Abu Ghraib in Bexhill-on-Sea (the interment camp for illegal immigrants where men and women are dehumanized, caged, shrouded and spreadeagled).

    See Bosnia, Baghdad and Beirut re-enacted in the streets of London where freedom fighters battle stormtroopers in the bombed out shells of empty shopping centers; commuting home involves running a gauntlet of stone throwing mobs and the ever-present round-up of illegals reminds you that you are lucky to be on the inside, if only of a dying society with all hope washed out.

    See echo’s of the 1973 Sci-Fi drama Soylent Green in the advertisements for voluntary euthanasia via the suicide pill Quietus.

    See a rather too obvious re-enactment of Christ’s birth in the manger as the redemption child is born in a manger while mad gypsy women bar the door and battles rage outside.

    See cultures clash as the reality of different times and different places are imposed on familiar settings.

    Highly recommended.