Launch Party: Resonate by Nancy Duarte

Resonate

Thursday evening at the Silicon Valley Computer History Museum saw the launch of Nancy Duarte’s new book Resonate: Present Visual Stories that Transform Audiences.

A couple of hundred guests celebrated a book that author Garr Reynolds says “takes you on a beautiful journey illustrating how to construct and deliver the kind of presentations that are truly remarkable, memorable … and may even change the world.”

Hear what some of the guests had to say by clicking on the podcast icon below.

Guest Posting: Preparing Executives for Speeches and Presentations

David MeuelFor more than 20 years, David Meuel has been an independent consultant specializing in executive speech development and corporate writing. He has worked with more than 80 business executives and public leaders, including the CEOs of eight Fortune 1000 companies, the CEOs of Visa International and Visa USA, and a State of California cabinet secretary. You can visit his website at www.davidmeuel.com or contact him at david@davidmeuel.com or at 650-804-2543.

I met David at a recent Silicon Valley IABC meeting. He’s a fellow speechwriter and executive communications specialist based in Northern California who graciously agreed to write a guest posting for Professionally Speaking.

Before They Say Anything: Preparing Executives for Speeches and Presentations
by David Meuel

Podium Mirror

It takes three weeks
to prepare a good ad-lib speech.
— Mark Twain

Several years ago, I read a survey finding that stopped me in my tracks. When asked which they feared most, the respondents’ number one choice – over snakes, spiders, or even death – was public speaking.

But the more I thought about it, the more understandable this finding became. Few things are more embarrassing than making a major mistake before a large audience. It’s no wonder that, for most people, speaking is extremely stressful.

Business executives who speak as part of their job have an added pressure: high stakes. A great performance can mean positive press, greater prestige, and even new business. A poor one can mean the opposite to all of the above. And, every once in a while, a very poor showing can even mean the loss of a job.

It’s no wonder then that executives, even those renowned for their nerves of steel, can get nerves of Jello when they think about an upcoming speech. And it’s no wonder that they often “rope in” their in-house communications people to help them prepare. Yet, while many business communicators are old pros at developing a PR plan or rolling out a new marcom program, they don’t have comparable expertise when it comes to “prepping” an executive for a speech or presentation. The solution is often “to just get through it” as best they can. But, depending on all the variables, this can be just as nerve-racking for the communicator as it is for the executive giving the speech.

Helping the Nervous Exec

What are some things you can do to make the three or four weeks before a major speech or presentation go by more smoothly? Here are some ideas that have worked for me:

1. Think through what you want to do.

The screenwriter Syd Field once made a statement I like very much. “The hardest thing about writing,” he said, “is knowing what to write.” This applies, of course, to any form of communication, including public speaking.

When I participate in the preparation process, I take executives through several steps that aim to build a strong content foundation. These include:

  • Listing and prioritizing objectives;
  • Learning as much as possible about the audience and what various people in it expect from the speaker;
  • Determining the strongest possible central thought, or theme, for the speech;
  • Organizing the central thought for maximum effect.

This is not easy stuff, and each step demands serious thought. But, perhaps the most difficult step is determining the central thought, or, as Syd Field would put it, “knowing what to write.”

I define the central thought as the synthesis of the speaker’s subject and objectives – the message. You can also view it as the engine that pulls the rest of the speech forward. Every point that’s made must serve to give this one thought clarity and dimension. And every point must be positioned in a way that people in the audience can easily understand and relate to.

For example, an executive from a major credit card organization is asked to speak to an audience of top college business majors about an intriguing subject: the future of money. Her main goal is to encourage students to consider joining her organization after graduation. But she also knows that she needs to explain the industry to students who probably aren’t experts on the subject.

Considering all of this, I would recommend as her central thought: Paper-based payment systems such as checks and cash – long the dominant forms of financial transaction – are rapidly giving way to far more convenient, versatile, and cost-effective electronic payment systems. This allows the speaker to meet both personal objectives and the needs of audience members by:

  • Addressing the subject in a way that may intrigue listeners;
  • Providing the audience with the appropriate amount of industry background or context;
  • Suggesting that her industry is a place where many future opportunities will exist for enterprising young people;
  • Depicting her organization as an excellent example of a group committed to fully capitalizing on the electronic payments opportunity (a nice way to make her organization look good without belittling the competition);
  • Appearing as someone who is informed, engaged, authoritative, and visionary – someone a bright young person would love to work for.

After you decide upon your central thought, here’s another challenge – try boiling it down into one simple declarative sentence short enough to write on the back of a business card. That can be a very painful exercise. But once you’ve reached this point, you’ve done the most important work in the preparation process. The rest is development and refinement. That’s not easy, either. But it’s much less difficult when the basic direction has been thought through and spelled out. You know where you are going.

Briefly, here are some other recommendations:

2. Build in time to think.

Good ideas and clear thoughts take time to develop. I know this is hard, but make the presentation a priority and build time into the exec’s and your schedule to think about it. Jot down ideas and put them in writing immediately. One helpful hint is to post the central thought on the wall in front of you or on the side of your computer. As you gather material for the talk, constantly test it against the central thought.

3. Be merciless about eliminating information.

A piece of information might be fascinating in its own right. But, if it doesn’t relate directly to the central thought, then it isn’t right for this presentation. (Save it for a time when it will be appropriate.)

4. Don’t force humor or cleverness.

People often feel great pressure to begin or end a presentation with an attention-getter such as a joke, funny anecdote, clever quote, or startling fact. But no one is ever obligated to. The moral here is: do what is right for the exec. Beginning with a good attention getter is fine, but don’t try to do something that’s not natural for the exec or irrelevant to the central thought.

5. When using PowerPoint, keep it simple and graphically interesting.

Rather than being an effective speaking aid, PowerPoint is often a major distraction. To make matters worse, many speakers design their graphics the same way engineers design microchips – cramming everything they can into every nanometer of available real estate. The result, of course, is that the people in the audience often don’t understand what they’re looking at and stop listening to the speaker so they can figure out the perplexing visual puzzle in front of them.

First, ask if the exec really needs to use PowerPoint. You’ll be amazed how often execs really don’t, especially if they are CEOs who fancy themselves “big picture” people. In fact, I’ve often encouraged executives not to use it, and they’ve said that this has made them look more “statesmanlike” and helped to differentiate them at conferences.

Second, if you use PowerPoint, keep it as simple as possible – no more than one image per minute, no more than one thought per image, as few bullets and words as possible, and, whenever possible, an easy-to-understand graphic that illustrates or complements what the exec is talking about. If you aren’t a wizard at PowerPoint, you might want to “rope in” someone who is to help make the presentation as professional looking as possible.

6. Plan to be short.

People are rarely criticized for not speaking long enough. If the exec is asked to speak for 20 minutes, plan for 15. Also, consider that many things—resounding applause, uproarious laughter, uncooperative technology, etc.—slow a speaker down. Plan on them. The difference between ending five minutes early and going five minutes over can seem like an eternity.

7. Prepare for questions.

Write up a list of tough questions and answers so the exec is prepared for anything the audience might throw out after the presentation.

8. Rehearse the exec at least twice.

If possible, set up the final rehearsal at the conference the day before the exec is scheduled to speak. You’ll be amazed how much this will help the exec during the actual presentation.

Staying Out of Panic Mode

One way to avoid much of this last-minute stress and strain is to take a more pre-emptive, strategic approach to the speaking opportunity. In these days of tight budgets and stretched resources, I know this is much more easily said than done. But, if there is any way you can do it, you should.

This approach requires that those involved think less in terms of specific speeches and more in terms of an overall speaking program. It also requires significant upfront planning. What’s involved in this planning? Some of the most important tasks include:

  • Developing speaking topics that are clearly aligned with your company’s key business and/or marketing objectives;
  • Seeking out appropriate forums where these speeches can be delivered – places where executives can have the biggest impact on the industry press, peers, etc. – and then pitching these topics to the forums;
  • Selecting the right executive for each speaking opportunity;
  • Cultivating a core group of “go-to” executives, the men and women who can best represent the company at various forums (Ideally, your number one “go-to” guy or gal should be your CEO. But this doesn’t always have to be the case.);
  • Cultivating a group of “go-to” consultants, people familiar with your company you can count on to help out with speech development, graphics development, and presentation skills. (Once again, budgets are often the constraining factor. But, if you can get help from a handful of good people, use them. It will make your life much easier.);
  • Getting extra mileage from speeches by reprinting edited versions of them as executive articles, etc.

All that sounds like a lot of work, and it usually is. But the difference between reacting to each speaking invitation and running a more strategically oriented program can be mind-boggling. The company gets the right messages out on a regular, systematic way. Audiences enjoy the speakers more and leave conferences both with the message you wanted to give them and with a positive impression of your company. Then, all this feeds on itself – more invitations to conferences, more press attention, and greater visibility in the industry.

In Conclusion…

Preparing executives for speeches and presentations is often difficult, frustrating work. But the payoff can also be big both for your company and for you. The challenge, of course, is to do the right things. So, when a nervous exec ropes you in, sweat the big stuff first. Work closely with the exec to define the message, considering the exec’s goals, the needs of the audience, the development of a clear, compelling, relevant central thought, and the organization of the speech around that thought. After you do all that, then think about a great joke to open with, PowerPoint, Q&A, and time to rehearse.

As you prepare, you might also want to pitch the exec on the idea of taking a more pre-emptive, strategic approach to the public speaking opportunity. Not only would an ongoing speaking program help the company in countless ways, it would also help make the weeks before a major presentation much less anxious for all involved.

How To: Import images into PowerPoint

In this third and final ‘how to’ segment I’ll cover the final step of importing images into PowerPoint 2007 and some of the options you can use to manipulate them.

Step 1 – Import: It’s really very simple. Choose [Insert] [Picture] from the main menu and choose the image file you want. It will be dropped into the slide in whatever size it was saved in. You can then drag and reposition it as necessary. Here’s the picture I took at the market in Laos imported into a blank slide:

Importing an image

Step 2 – Manipulate: Once the image is in the slide your options are endless. As an example, I can take the fabric photo and fill the screen then add a rectangle with [Insert] [Shape] and then right-click and [Format Shape] and assign a [Transparency] of 51% with a light gray color. Onto this, I [Insert] [Text Box] and put my title for the presentation.

Title Slide

Another use for the photo would be to add another rectangle with no transparency, leaving a small border, and then right click and [Format Picture] [Recolor] to give a muted border for an Agenda slide and a template for other slides in the presentation.

Agenda Slide

Reducing PowerPoint File Size

I mentioned in the first posting in this series about the risk that very large high-res pictures will make your PowerPoint file too bulky. I’ve seen slide decks that exceed 20MB – impossible to share via email. You can reduce the size of the PowerPoint file, often by over 70%, by using the ‘Compress’ menu option. This is difficult to locate. Follow these steps:

Step 1 – Once you’ve added all your pictures, click on any picture in your presentation.
Step 2 – Look for the menu bar on the top right to change to [Picture Tools]. Click on [Format] [Compress Pictures] and be sure to check out the [Options] in the pop-up window:

Compression Settings

If you want the smallest possible file size, choose the [Target Output] [Email]. Otherwise [Screen] will be best, and significantly reduce the size of a PowerPoint file with high-res images.

Expert Advice

I’m embarrassed to show any more of my lame examples of how to manipulate pictures in PowerPoint. Now you understand the basics, I suggest reading books which deal with the purpose and aesthetics of creating visually compelling slides written by professionals in the field. The two best books that I know of are Presentation Zen by Garr Reynolds and slide:ology: The Art and Science of Creating Great Presentations by Nancy Duarte. Both books are jam-packed with practical ideas and many examples to help you create beautiful, well-designed presentations.

Also, check out Garr’s Presentation Zen blog for exquisite examples of slides which use visuals in a compelling way.

I hope you’ve enjoyed this series of three blog postings on how to use images in PowerPoint and will be able to move away from relying on plain text and boring clip-art in your next presentation.

How To: Find images for presentations

In my previous posting, I discussed how to save, crop and resize image files.

But where can you find images – photographs, logos, graphics – that illustrate your subject and match the theme of your presentation?

Google Image Search

An obvious place to start is with a simple Google search and select ‘Images’ from the top menu bar. This is a fast way to find images on any topic. But the big danger is the copyright ownership of almost all images. Google warns:

The images displayed in a Google Image Search may be protected by copyright, so we can’t grant you the right to use them for any purpose other than viewing them on the web. If you’d like to use images from our image search, we suggest contacting the site’s webmaster to obtain permission.

So be aware, just saying “Picture copyright XYZ” does not cover you.

Assuming you needs images which are not just for your personal use, but for slides which will be shown to an audience, it’s not worth the risk grabbing one from Google or the trouble of asking the sites webmaster for permission.

Your own photographs

Bali Fabrics Don’t overlook the obvious. Use pictures you’ve taken with your own digital camera or a still from a Flip video. Manipulate them by cropping, resizing and saving to your computer.

I took this picture in a market in Laos and I’m just waiting for the right moment to use it as a the background for a title slide.

Wikipedia

Ben FranklinWikipedia has an extensive description of the copyright on uploaded images. This means that most of the images in the various articles have clearly labeled copyright terms of use. For example, the article on Ben Franklin has an image which is a photo of the painting by Duplessis hanging in the National Portrait Gallery. The information page on the image makes it clear that it is a Creative Commons image and “photographic reproduction is … considered to be in the public domain.”

Flickr

Flickr is an awesome image hosting and video hosting website, now owned by Yahoo!. In addition to being a popular website for users to share and embed personal photographs, the service is widely used by bloggers to host images that they embed in blogs and social media. In September 2010, it reported that it was hosting more than 5 billion images. It has very clear guidelines on copyright for the images. Many of images are made available under the Creative Commons license. To find these, choose [Advanced Search] and check box near the bottom of the screen ‘Only search within Creative Commons-licensed content’

Flickr Attribution The cleanest Creative Commons license is the simple ‘Attribution’ which gives express permission to use an image if you give attribution to the owner – usually by inserting their name from Flickr under the photo. It could also be included in a closing frame in a video. If you are planning to deliver in a business setting, be aware of the ‘Non-Commercial’ limitation.

Here’s a great photo of a statue of Benjamin Franklin which I’ve attributed to the photographer:

Ben Franklin_boston
cc licensed flickr photo shared by tonythemisfit

Hint: Compfight is a great tool for speeding up your Flickr searches. Be sure to set ‘Creative Commons = only’ to the right of the search bar.

istockphoto

Ben_Franklin_billfold There’s a number of stock photography sites. istockphoto.com is my favorite. The images cost $1-2 each and include rights to reproduce for commercial or non-commercial purposes without attribution. There’s a wide range of photographs and graphic illustrations. This photo of Ben Franklin on the $100 bill came from istockphoto.

I make use of Lightboxes to save multiple pictures for a project, and email Lightbox contents for review by colleagues. While you are spec’ing out a project you can download a ‘Comp’ version – a low-res image with the istockphoto watermark embedded. These work as placeholders in your PowerPoint slides to see if they look right.

Once you decide to purchase simply buy some credits and then download the images you like. You’ll only need to download the smallest size available (the one with the minimum number of credits) which work fine for PowerPoint or blogs.

Other resources

I’ve just given a couple of examples from the sources I use. Garr Reynolds has an extensive list of inexpensive and free sites, with many more suggestions in the comments to his original posting. Presentation magazine also lists sites. Some of the commercial stock photo sites like Getty can be quite expensive. Oliver at Rethink Presentations has a useful comparison table which includes pricing information.

How To: Save, crop and resize image files

At a recent Toastmasters Club meeting, Tevis encouraged us to appreciate the impact of adding pictures to PowerPoint presentations. Unlike plain text, a memorable photograph adds to a talk without distracting from the speaker.

It was obvious from the discussion that some Club members did not know the basics of how to find, save and manipulate images. Since this is part of my day job, I offered to write up a series of simple ‘how to’ guides for Windows XP users.

In the first of the series, I’ll show how you can start to build up a library of pictures for future presentations by learning how to save, crop and re-size image files. These can be used in PowerPoint presentations, posters, magazine and newsletter layouts, websites and blogs.

Saving an image file

Putting aside questions about where to find image files, copyright issues and how to insert image files into PowerPoint – which I’ll discuss in a later posting – the first practical step to understand is how to save an image file.

I’ll take as an example the photograph of the book cover I used in my last blog posting. It was sourced from a Google Image search for the title of Harold’s book: 4 Steps to Financial Security for Lesbian and Gay Couples. (I had permission from the author to include his book in the profile, so copyright was not an issue).

Google Image Search

Step 1 – Save: Right-click on the first file from the Google Image search results and you’ll be given the opportunity to ‘Save As’. Choose .JPG or .PNG and a name for the file that makes sense.

Save Image As

Step 2 – Crop: The image as saved includes white space on either side of the book cover. Right click to ‘Open With’ Microsoft Office Picture Manager. Then choose [Picture] [Crop] and move the left and right handles in until the white space is removed

Crop

Click ‘OK’ and [File] [Save] and overwrite the existing file.

ResizeStep 3 – Re-size: You can re-size images inside PowerPoint so they’ll fit your slide. But for newsletters and, especially, web pages and blogs, it’s crucial to have a source file that’s the right size (width and height).There’s also the question of file size (in MB’s).While a small book-cover image is not a problem, other images, especially high definition photo’s, will make your presentation file size very large. So shrinking it down in Picture Manager can be useful. Select [File] [Resize] and choose from a number of pre-defined width and height settings or reduce by a percentage of the original width and click [OK] to save.

Experiment with different sizes and see what resolution you get when importing into PowerPoint.

Putting it into practice

Here’s an image I purchased from istockphoto.com of a railroad yard.

Rails

I used the [Crop] function to select a narrow band of tracks to insert in a title slide

New Directions

Knowing these simple steps for manipulating image files is useful for building an image library for your future presentations.

In my next posting I’ll deal with various sources for photographs on the web and all-important copyright issues.

Interview: Harold Lustig – Estate Planner

Harold Lustig

Harold Lustig is the Founder and CEO of the California Estate and Elder Planning Center and Managing Member of Lustig Financial Services LLC.

After the distressing experience of hearing his father saying he had outlived his assets, Lustig began a life-long journey to assist seniors increase income and protect their assets, enjoy a higher quality of life and reduce their tax obligations, thus leaving more wealth for their spouses, children and grandchildren. With over 30 years of financial planning experience, his focus and passion is to help seniors and their families with retirement and estate planning as well as long term care planning.

Lustig obtained a business degree in accounting and a Master’s degree in Business Administration from Drexel University in Philadelphia.

Currently, he holds the Chartered Life Underwriter (CLU), Chartered Financial Consultant (ChFC), the California Life and Health Insurance license as well as the Series 65 Investment Advisor’s License.

4-Steps-to-Financial-Security-for-Lesbian-and-Gay-CouplesLustig is the author of the first financial and estate planning book for lesbian and gay couples. The book, 4 Steps to Financial Security for Lesbian and Gay Couples was published by Random House. In the Spring of 2011, Lustig will launch his second book Naked in the Nursing Home: The Women’s Guide to Paying for Long Term HealthCare Without Going Broke.

The mission of the California Estate and Elder Planning Center is to help seniors and their families protect their lifestyle through estate planning, long-term care planning and wealth transfer. Harold works closely with an Elder Law Attorney and his wife who is an Elder Care Advocate and RN.

Pro-Track Profile

Harold is another long-time member of the Northern California Chapter of the National Speakers Association who has signed up for the Pro-Track training. To hear an update on his business and what he thinks of Pro-Track, click on the podcast icon below.

Book Review: The Political Speechwriter’s Companion

“How do I get a job as a speechwriter?”

That’s the question Robert Lehrman’s students in his American University speechwriting class have on their minds.

Political Speechwriter's CompanionThe answer, and an extensive catalog of the elements of speechwriting, are contained in the textbook for his course: The Political Speechwriter’s Companion: A Guide for Writers and Speakers (CQPress 2009). It is an invaluable resource for writers and speakers in both the political and corporate worlds. The book is by far the most comprehensive and well-written guide to speechwriting I have read.

Lehrman has more than three decades of experience writing speeches. He has written for politicians, celebrities, nonprofits and corporate CEOs. He worked as chief speechwriter in the White House to Vice President Al Gore.

His writing career began as a novelist who studied with Kurt Vonnegut at the Iowa Writers Workshop. He still enjoys the balance between writing under his own name and putting words into the mouths of the powerful.

Real-world lessons

Lehrman is the author of four novels and numerous op-ed’s. But it’s the experience gained as a speechwriter in both houses of Congress, as well as the White House, that is the source of the lessons he shares in the classroom and his book.

Together with political humorist Eric Schnure, he teaches two semesters a year at the American University in Washington, D.C. Many of their students have wanted to be speechwriters since middle school, when they became hooked on episodes of “The West Wing.” Graduates of the AU course have found work for politicians in Congress and even for ambassadors.

It’s obvious from his background that Lehrman is a staunch Democrat. But he teaches the techniques of persuasion to supporters of any political party. In fact, his willingness to draw lessons from speeches delivered by both sides is a refreshing surprise in our increasingly polarized world. Testimonials inside the front cover of his book come from both republicans and democrats.

His book—The Political Speechwriter’s Companion: A Guide for Writers and Speakers—took him two years to write. However, some of the lessons it contains were those he first shared with interns in the Clinton White House in the 1990s. Don’t be misled by the title. Lehrman claims that 90 percent of the content is useful for speechwriters outside politics, including those of us who write for the corporate world.

Lessons include:

  • Realizing that the beliefs and values of the secondary audience might be more important than the people who are actually in the room when the speech is delivered;
  • Why it’s important not only to research facts and figures, but also spend time researching the stories and poetry that makes a speech sing;
  • Why Monroe’s Motivated Sequence is the best way to structure a political speech;
  • Ways to make a speech memorable and move the audience to action, including checklists for everything from speech structure and supporting arguments to problems that are relevant to the audience and plausible solutions.

The challenge, he reminds us, is mastering the nuts and bolts while keeping the text of many political speeches at a seventh grade reading level so the majority of the audience can follow along.

Lehrman’s book illustrates, with links to dozens of speeches, how some of the best writers practice their craft. He takes us behind the scenes with colleagues such as Clinton speechwriters’ David Kusnet and Lissa Muscatine and George W. Bush speechwriter David Frum.

Social media and the Internet

Lehrman embraces change. He encourages speechwriters to take advantage of the Internet, especially the ease of access to speech archives at www.americanrhetoric.com and doing research with a search engine. But he’s also aware that YouTube means politicians today have nowhere to hide an unguarded remark, such as Senator George Allen’s “Macaca moment” on the 2006 campaign trail.

As for getting hired, Lehrman tells his students not to worry:

“With 200,000 candidates running for 60,000 elected positions in America every two years there’s no shortage of work for anyone who can stand the long hours and low pay,” he says. “Ten hour days, six days a week, are common. While corporate speechwriters make three times the salary and can go home to their family, those who want to influence public policy are, and will always be, drawn to politics.”

This review was originally published in ragan.com.

10 Tips for Speaking on a Panel

Panel discussionIn a recent posting 10 Tips on Moderating a Panel Discussion I listed suggestions for anyone who has been appointed a panel moderator.

In this companion piece, I’ll list tips for those of you who’ve been invited to speak on a panel. Simple math indicates there’s a greater chance you’ll be asked to be on a panel than moderate one (unless your name is Terry Gross or Jeremy Paxman).

Many of the tips for moderators have a corollary for panel members. Just as the moderator should know the audience; schedule time to participate in panel rehearsals or pre-event meetings; and be aware of the electronic backchannel, so should should panelists. The reverse if also true. If panelists need to learn to shut up, the moderator must make sure to engage less aggressive panelists in the discussion. Not only is this courteous, but it provides the attendees with a more rounded, more interesting discussion. A good panel is a dialog between an intelligent and aware moderator and an engaged group of panelists for the benefit of the audience.

10 Tips for speaking on a panel

  1. Know about the panel you are on
  2. There’s a vast difference between participating in a political slug-fest such as Crossfire or light entertainment like Just a Minute. Even if you know that’s it’s an industry panel, be aware, for instance, if you are the sole Microsoft representative on an Open Source panel. Some moderators delight in generating controversy and might introduce an unwary panelist into a hostile environment.

  3. Know the other panelists
  4. Use social media tools to find out the scoop on other panelists. Search their names in Google, Linkedin, Facebook, Twitter. Find out what other panels they have been on, read any reports and look for videos of them on YouTube and read about them in blogs.

    You should know what positions they’ve taken in the past and opinions they hold. Nothing is more disarming than to reference their Alma Mater (listed in LinkedIn) or an important paper they’ve written in the middle of the discussion.

  5. Know your material
  6. It’s assumed you are an expert, but refresh yourself by checking in Google News and doing an advanced search into the Twitter archives to update yourself on the venue, issues and other hot topics. Heck, you don’t even need a Twitter account to do this.

  7. Don’t be boring
  8. Remember you are there to entertain, not to inform.

    National Speakers Association President Kristin Arnold suggests:

    Panel members face the same challenge as all speakers, the need to move from being boring to “bravo!”. Be keenly aware of how much airtime you are using, keep you remarks short and to the point. Be relevant and controversial – a little chutzpa goes a long way!

  9. Be prepared – don’t walk into the panel cold
  10. Once you’ve spoken to the moderator and other panel members, sit down and create an outline of the points you wish to make. List the brief stories you can tell to illustrate the points. Remember, an entertaining story includes a great opening line and an obstacle that was overcome. One tool to use to list your points is the Challenge, Action, Response framework.

    Media trainer TJ Walker advises:

    Treat a panel like any other speaking opportunity. Have an outline with a few points. Make sure you have a story and specific case studies for your audience to make your points come alive.

  11. Respect others
  12. Even if you get into a heated discussion with another panelist or an audience member criticizes you, don’t lose your cool. Stay in relationship with the other panelists and audience. This means interacting with other panelists, acknowledging what they say, agreeing to disagree. Be aware of the flow of the panel discussion and sensitive to the mood of the audience, but don’t allow yourself to be bullied. You can see mistakes to avoid and pick up some survival techniques by watching anyone with liberal opinions being interviewed on Fox News.

    UK business commentator and experienced panelist Stephen Harvard Davis says:

    I always remember that I’ve been invited to join the panel because someone else has views and opinions that are different to my own. When responding to what they say I should never take their words as a personal attack and must always remain calm and pleasant, whilst making my point robustly. After all, it’s not their fault that their opinion is wrong! I always remember that the audience has come to hear all the panel’s opinions and not just my own. The audience wants to see a gladiatorial contest of wits and be entertained by it. A couple of minutes in answer to any one point is more than enough and whilst my opinion may be the only one worth listening to, I must let the audience be the judge of that.

  13. Don’t be a show-off
  14. Don’t compete with the moderator or other panelists for time or attention. It’s not a discussion if one person dominates. Keep your bio brief. Don’t promote your company. Get into the topic right away.

    Joel Postman, author of SocialCorp, notes:

    In school, there was always that guy in the front row who had his hand up for every question, begging to be called on with pleas of ‘oh, oh, oh, oh.’ Well he grew up and he participates in every panel discussion. And he’s still just as annoying as he was in Mrs. Benson’s English class.

  15. Remember you are always onstage
  16. Even when not speaking, maintain eye contact with other panelists and the audience. It’s not advisable to look at the moderator, even when you are talking, it’s the audience you are there to address.

  17. Hang around afterward
  18. Unless you are a CEO with an entourage and places to go, stick around after the panel ends. Audience members who need some of your time will come up to speak. Exchange cards with them. You never know who you’ll meet.

  19. Have fun!
  20. After all, that’s what the audience wants to see. Part of the fun might be blogging or tweeting about your experience and using social media to magnify the impact of the discussion for those unable to attend the event.

    I’d like to thank Kristin Arnold, TJ Walker, Stephen Harvard Davis and Joel Postman for their contributions to this blog posting.

Interview: Diane Mariant – Living with a Bipolar partner

Diane Mariant Diane gives talks about living with bipolar disorder. Her husband, David (profiled in this series back in March) had to overcome his own struggles with bipolar. It’s estimated that 1 in 50 people in the USA have this disorder.

It is also estimated that 20% of people with bipolar disorder will commit suicide either on purpose or by reckless behavior during depressive or manic episodes. Biploar causes more deaths than aids and most forms of cancer. Bipolar disorder is believed to be caused by a chemical imbalance in the brain and is treatable with many different medications.

However, medication alone is not enough to effectively control this illness. She and David share what else is necessary to live a healthy happy life in spite of having this devastating illness in their book Surviving Bipolar’s Fatal Grip – The Journey to Hell and Back.

Diane’s presentations describe her own story about living with this illness in her family and offers practical advice to others. She shares a success model and encourages the audience to use strategies such as mood tracking; getting adequate sleep; discovering their own triggers and learning how to lessen those triggers; taking their medicines at the same time every day; and other important strategies that will help them avoid depression, mania, and mixed bipolar states.

Pro-Track Profile

David and Diane are the only husband and wife team in the 2010 National Speakers Association of Northern California Pro-Track class.

I asked Diane what motivated her to get into the speaking business. To hear what she told me, click on the podcast icon below.

Interview: Guy Kawasaki – Enchanting Speaker

Guy Kawasaki Guy Kawasaki is a Silicon Valley legend. The erstwhile Apple software evangelist, now a successful VC, has written a string of best sellers from the 1990 The MacIntosh Way to the 2009 The Art of the Start.

Enchantment He’s currently working on a new book Enchantment: The Art of Changing Hearts, Minds, and Actions. On Thursday he gave an entertaining presentation to an internal sales group at Cisco – where I’m employed in executive communications – based on his new book. From tips on how to smile with sincerity, to ways to enchant the influencers in a group, Kawasaki shared insights on ways to understand and influence change.

I caught up with him after his presentation and asked him to share something about his approach to public speaking and life as a professional speaker.

Click on the podcast icon below to hear Guy reveal:

  • what he looks for in an audience to see if his message is connecting with them;
  • the reason he likes speeches built around Top 10 lists;
  • what he thinks of people tweeting while he’s speaking;
  • what speakers can learn from The Grateful Dead.